98.7 KISS fm - The Best Variety of Old School and Today's R&B

98.7 KISS FM ARTIST BIOS

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8/27/2009 The Delfonics The Delfonics were one of the first groups to sing in the sleek, soulful style that became popularized (thanks to producer Thom Bell) as the "Philadelphia sound." A vocal trio made up of brothers William and Wilbert Hart and high school friend Randy Cain, the Delfonics roots go back to doo wop singing at school dances in the early '60s. They were well-known in the Philly area for their supple, airtight harmonies talent that brought them to the attention of record producers, eventually landing them a contract with Cameo-Parkway. While their early records brought them little if any notice, it did bring them to the attention of producer/arranger Thom Bell who signed the band to his soon-to-be influential soul label Philly Groove. Right from the start this was a perfect match as the band released the classic "La La Means I Love You" in 1968, a song that began a string of hits lasting into the mid-'70s. The sound that Bell created for the Delfonics was the antithesis of the soul sound that came from Stax in Memphis and Muscle Shoals in Alabama. He sandpapered away the grit, lightened up on the backbeat, brought in string sections, and created a smooth, airy sound. Critics enamored of the soul singing of Wilson Pickett and Otis Redding accused Bell and his groups of creating aural wallpaper, but the reality was that Bell and the Delfonics were setting the stage for a different kind of groove where subtlety and nuance reigned. The hits slowed for the Delfonics in the mid-'70s, and in 1971 Randy Cain quit the band and was replaced by Major Harris. A few more minor hits followed but Harris left the band for a solo career in 1975, effectively finishing the Delfonics. In the late '90s, the group played a ... Read More
8/19/2009 D'Angelo D'Angelo was one of the founding fathers and leading lights of the neo-soul movement of the mid- to late '90s, which aimed to bring the organic flavor of classic R&&B back to the hip-hop age. Modeling himself on the likes of Marvin Gaye, Stevie Wonder, Prince, Curtis Mayfield, and Al Green, D'Angelo's influences didn't just come across in his vocal style -- like most of those artists, he wrote his own material (and frequently produced it as well), helping to revive the concept of the R&&B auteur. His debut album, Brown Sugar, gradually earned him an audience so devoted that the follow-up, Voodoo, debuted at number one despite a five-year wait in between. Michael D'Angelo Archer was born February 11, 1974, in Richmond, VA, the son of a Pentecostal minister. He began teaching himself piano as a very young child, and at age 18, he won the amateur talent competition at Harlem's Apollo Theater three weeks in a row. He was briefly a member of a hip-hop group called I.D.U. and signed a publishing deal with EMI in 1991. His first major success came in 1994 as a writer/producer, helming the single &"U Will Know" on the Jason's Lyric soundtrack; it featured a one-time, all-star R&&B aggregate dubbed Black Men United. That helped lead to his debut solo album, 1995's Brown Sugar. Helped by the title track and &"Lady," Brown Sugar slowly caught on with R&&B fans looking for an alternative to the hip-hop soul dominating the urban contemporary landscape; along with artists like Erykah Badu, Lauryn Hill, and Maxwell, D'Angelo became part of a retro-leaning, neo-soul revivalist movement. Brown Sugar received enormously complimentary reviews and sold over two million copies, and D'Angelo supported it with extensive touring over the next two years. And then -- not much of anything ... Read More
8/13/2009 New Edition New Edition's early, Jackson 5-inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). As they matured and progressed, they laid much of the groundwork for the fusion of hip-hop and R&B known as new jack swing. In fact, after New Edition drifted apart, all of its members had at least some significant success outside the group as part of the new jack movement, which helped ensure that their original incarnation would be remembered for much more than the bubblegum urban soul that made their name. New Edition was formed in the Roxbury section of Boston, MA, by Ricky Bell, Michael Bivins, and Bobby Brown, who began singing together in 1978 while still in elementary school, hoping to perform for pocket cash. They eventually recruited friend Ralph Tresvant as a fourth member, and after winning a talent show in 1980, also added Ronnie DeVoe. More talent show victories followed, including a prestigious gig at the local Strand Theater, where they performed the Jackson 5's "The Love You Save." They were discovered by writer/producer/impresario Maurice Starr, who signed the group to his small Streetwise label in hopes of launching a Jackson 5 phenomenon for the '80s. "Candy Girl," a song Starr co-wrote for the group, was released as their first single in 1983, when the members ranged in age from 13 to 15. Despite a lack of major-label interest in the group, "Candy Girl" was a smash, topping the R&B charts. Their debut album, also titled Candy Girl, spawned two more R&B hits in "Popcorn Love" and "Is This the End?," and MCA offered the group a deal. Starr, however, wanted the group to remain with Streetwise; New Edition summarily fired him as their manager and signed with MCA. Starr attempted ... Read More
8/13/2009 Cheryl Lynn Lynda Cheryl Smith (born March 11, 1957), better known by her stage name Cheryl Lynn is a disco, R&B and soul singer best known for her 1978 disco classic, "Got to Be Real". Lynn's singing career began when she was a young girl in her church choir. However, her professional singing career started in 1976 when she landed a job as a backing singer in the national touring company of The Wiz. Eventually she would land the role of Evillene, the Wicked Witch of the West, during the six month national tour run. Prior to her appearance on The Wiz, Cheryl taped an episode of the Gong Show in the early part of 1976. She went on to win the competition while singing Joe Cocker's "You Are So Beautiful". Lynn later told Dick Clark during her appearance on American Bandstand that after the episode aired, in the fall of 1976, record industry executives were calling about her soon after the win. Discovered on the "Gong Show" by producer Bob Johnston. Cheryl Lynn was signed to Columbia after Ahmed Ertegan from Atlantic couldn't make their initial meeting. After Johnston threatened to camp outside David Paich's home if he didn't work with Lynn, Johnston and Paich started on the project after signing with Columbia Records. Lynn released her first and biggest hit, "Got to Be Real," which was penned by Toto keyboardist David Paich, David Foster and Lynn. The song peaked at #12 on the Billboard Hot 100 chart and #1 on the R&B chart. The success of the single promted a full scale debut album. Titled, Cheryl Lynn, it was produced by Paich. The album sold over a million copies and peaked at #5 on Billboard's R&B albums chart and #23 on Billboard's top 200 album charts. The follow-up single, Star ... Read More
8/19/2009 Heatwave Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. American serviceman brothers Johnnie Wilder and his brother Keith Wilder were based in Germany when they first began performing, and upon their discharge from the Army, the duo stayed in that country. Both singers, the pair gigged in clubs and bars with an assortment of bands while still enlisted. However, they were constantly looking to expand their horizons, and in mid-year they relocated to the U.K. to link up with songwriter/keyboardist Rod Temperton. The nascent Heatwave quickly came together with the addition of Spanish bassist Mario Mantese, Czechoslovakian drummer Emest Berger, and American guitarists Jesse Whittens and Eric Johns. With so many musical roots between them, it was only natural that they rapidly developed a sophisticated sound, an edge which Temperton would use to push Heatwave ahead of their peers. Jamming and ceaselessly touring the London club circuit allowed Heatwave to define and refine their music, eschewing straight disco beats for a sound that certainly contained that element, but fused it with a rich funk groove. That hard work paid off as the band signed to U.K. label GTO (Epic in the U.S) and began formulating their first album in fall 1976. They were paired in the studio with GTO house producer/session guitarist Barry Blue, who'd had his own string of hit singles, &"Dancing on a Saturday Night" and &"Do You Wanna Dance" among them in the early '70s. The recording sessions nearly derailed, however, when Whittens was murdered before the band had even entered the studio. He was replaced with rhythm guitarist Roy Carter, and a pair of singles, &"Ain't No Half Steppin'" and &"Super Soul Sister," appeared before the end of 1976, to be followed by January 1977's anthemic &"Boogie ... Read More
8/19/2009 Al Green Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early '70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings. The distinctive Hi Records sound that the vocalist and producer Willie Mitchell developed made Al Green the most popular and influential soul singer of the early '70s, influencing not only his contemporaries, but also veterans like Marvin Gaye. Green was at the peak of his popularity when he suddenly decided to join the ministry in the mid-'70s. At first, he continued to record secular material, but by the '80s, he was concentrating solely on gospel. During the late '80s and '90s, he occasionally returned to R&B, but he remained primarily a religious performer for the rest of his career. Nevertheless, Green's classic early- '70s recordings retained their power and influence throughout the decades, setting the standard for smooth soul. Green was born in Forrest City, AR, where he formed a gospel quartet, the Green Brothers, at the age of nine. The group toured throughout the South in the mid-'50s, before the family relocated to Grand Rapids, MI. The Green Brothers continued to perform in Grand Rapids, but Al's father kicked the boy out of the group after he caught his son listening to Jackie Wilson. At the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and ... Read More
8/19/2009 Jodeci If Boyz II Men are portrayed as a clean-cut, wholesome R&B vocal group, then Jodeci's wild, sexual, bad-boy image represents the other side of the coin. Made up of two sets of brothers, the group's name is a consolidation of three members' aliases: "JoJo" Hailey, Donald "DeVante Swing" DeGrate, and Cedric "K-Ci" Hailey; the group also includes Dalvin DeGrate. Natives of Charlotte, NC, all four members toured the South as young boys singing gospel music, even recording albums; both families belonged to the Pentecostal church, and the DeGrates' father was a minister. The boys were able to hear each other's gospel songs played on the radio, and eventually were introduced through girlfriends as teenagers. However, when they did meet, K-Ci was with a girl Dalvin had been dating, and a fight nearly broke out. The Hailey brothers and DeVante started hanging out together, partying and talking about making R&B records together, coming up with the name Jodeci at this time. At age 16, DeVante ran away to Minneapolis to get a job in Prince's organization, but was refused. He returned to Charlotte, where he wrote a song and recorded JoJo singing it. The two planned on going to New York to shop the demo around by themselves, but both K-Ci and Dalvin decided to tag along at the last minute. By the time they got to New York, they had demo recordings of 29 songs, which they brought to the offices of Uptown Entertainment. They were almost rejected, but rapper Heavy D overheard the tape and talked Uptown president Andre Harrell into hearing the group. Harrell was impressed, and just like that, Jodeci signed a recording contract. In 1991, they recorded Forever My Lady, which featured the gold single "Come and Talk to Me" and went on to sell over ... Read More
8/10/2009 Anthony Hamilton Some things, thankfully, never go out of style. Case in point: the bona fide soul of Anthony Hamilton. That distinctive, six-time Grammy-nominated voice is back on "The Point of It All," Hamilton's third official studio album (So So Def/Zomba Label Group). Like "Comin' From Where I'm From" (2003) and "Ain't Nobody Worryin'" (2005) before it, this new album once again plays up the singer/songwriter's natural talent: rich, soul-steeped vocals breathing sonorous life into emotion-packed lyrics. But this time around, you'll find the former barber cutting up a little more than usual. "I want fans to hear my growth," says the Charlotte, North Carolina native. "But I also want to open up the ears of those who don't know about Anthony Hamilton. I don't always want to be known as the sad cat. I like to have a good time, too. I've taken fans to church and baptized them; there are those who say I've healed them with my music. Now we're going to boogie in the name of the Lord." To help balance both sides of his musical equation, Hamilton enlisted the familiar and the new. Back for return engagements are songwriter/producers Mark Batson (Hamilton's signature hits "Coming From Where I'm From" and "Charlene"), James Poyser and Kelvin Wooten. "It's always going to be them; they give me what I need," says Hamilton of his longtime collaborators. "They know what I've been doing but can see the growth I'm experiencing." New to the Hamilton camp are the Avila Brothers (Usher, Mariah Carey) and Jack Splash (Alicia Keys, John Legend). "It makes a difference when collaborators are really into what you're doing versus just getting a check," says Hamilton. That's readily apparent on "The Point of It All." Hamilton and crew get the ball rolling on lead single "Cool" featuring rapper ... Read More
8/10/2009 Usher After being spotted by a La Face record executive at a talent show in his hometown of Atlanta, it took no time for Usher Raymond's career to take off. The 14-year-old auditioned for La Face co-founder L.A. Reid, who signed the gospel choir boy to a recording contract. Raymond was introduced to the world simply as "Usher," and released his debut album of the same name in 1994, which featured co-executive producer Sean "Puffy" Combs. The first single, "Think of You," gained Usher notoriety and reached gold status. From that initial exposure, Usher was approached to do other projects. In 1995, he recorded a national holiday jingle for Coca-Cola. He also joined several top male R&B vocalists to form Black Men United for the single "You Will Know," featured on the Jason's Lyric soundtrack. He also teamed with teen singing sensation Monica for a duet remake of Latimore's "Let's Straighten It Out." After graduating from high school, Usher released his sophomore album, My Way, in 1997. In an attempt to display his maturity and songwriting abilities, Usher co-wrote six of the nine songs and enlisted the help of producers Jermaine Dupri, Babyface, and, again, Combs. The album's first single, "You Make Me Wanna," re-established Usher as one of R&B's hottest artists, and also made him a crossover sensation; it topped the R&B charts for 11 weeks, hit number two pop, and eventually went double platinum. Both of the follow-up singles, "Nice & Slow" and "My Way," also went platinum; the former stayed at number one on the R&B charts for eight weeks and became his first number one pop single. In the meantime, Usher launched an acting career, appearing in the 1998 horror spoof The Faculty and the 1999 urban high-school drama Light It Up. To tide fans over, he ... Read More
8/11/2009 Freddie Jackson Freddie Jackson (born Frederick Anthony Jackson, October 2 1956, Harlem, New York) is an American soul singer. He was an important figure in R&B during the 1980s and early 1990s. Among his well-known hits are "Rock Me Tonight (For Old Times Sake)", "Jam Tonight", "Do Me Again," and "You Are My Lady". He is also known for Outkast's line in their song "So Fresh and So Clean", "cooler than Freddie Jackson sippin' milkshake in a snowstorm." Jackson was trained as a gospel singer from an early age, singing at the White Rock Baptist Church. There he met Paul Laurence, who would later become his record producer and songwriting partner. After completing school, Jackson joined Laurence's group LJE (Laurence-Jones Ensemble) and played the New York nightclub scene. During the early 1980s, Jackson moved to the West Coast and sang lead with the R&B band 'Mystic Merlin', but soon returned to New York to work with Laurence at the Hush Productions company. He sang on demo recordings of Laurence's compositions, and also served as a backing singer for Melba Moore after she saw his nightclub act. In 1985, Jackson landed a recording contract with Capitol Records, and issued his debut album, Rock Me Tonight. The Laurence-penned title track stormed the R&B charts, spending six weeks at number one, and made Jackson an instant hit on urban contemporary radio. "You Are My Lady" gave him a second straight R&B chart-topper, and also proved to be his highest-charting single on the Billboard Hot 100, peaking at number 13. With "He'll Never Love You (Like I Do)" and "Love Is Just a Touch Away" also hitting the R&B Top Ten, Rock Me Tonight topped the R&B album chart and went platinum. Jackson issued the follow-up Just Like the First Time 1986, on the heels of ... Read More